Addison Embroidery
at the
Vicarage

Stained glass window from St Barnabas Church, Beckenham, Kent (Leonard Evetts?)

Christmas morning found us at the local parish church in Beckenham in Kent, an unspoilt red brick building with more than a hint of the Arts and Crafts movement about it.  About 50 people gathered in the choir rather than in the body of the church which made for a feeling of greater involvement in the service. David’s four year old half Chinese granddaughter behaved beautifully, partially helped by being in the very midst of things yet also able to sink back into the depths of the choir stalls and soak up the atmosphere.  Much of the church’s glass, including the west window and some behind the altar was clear and undecorated as the windows had been blown out during WWII.  There were, however, two exquisite stained glass panels above the altar – one of the Virgin and one, probably, of St Barnabas, the church’s patron saint.  We were entranced by them and their fine detail – I couldn’t take my eyes off the pile of flowers and especially the little red roses at the Virgin’s feet. No one we spoke to knew anything about these windows. To me they looked like the work of Leonard Evetts, the watercolourist and stained glass artist who died in 1997 – and research when we got back to where we were staying confirmed this impression. Yet, most of Evett’s work is to be seen in churches in the North-East of England – why should he have done these two little windows in an ordinary parish church in Kent? Fascinated my husband is going to delve further. How grateful I am that our daughter-in-law took this picture of what may be an important and possibly little documented work of art. An exciting discovery for Christmas morning, as good as any present!

Cheltenham 28 December 2018

Leonard Evetts: Preparatory drawing for window in Saint Barnabas Church Beckenham (from the book Leonard Evetts Master Designer, privately printed 2001)

Now home in Cheltenham, I’ve been able to look at a book we have on our shelves Leonard Evetts Master Designer (Privately Printed, 2001). In it is a sketch for the windows of St Barnabas, Beckenham but interestingly the sketch looks quite different from the finished windows. This seems to be partly because of the strong colours used, especially blue and red, and I now realise – somewhat sadly – that what I thought were angel heads surrounded by roses and flowers beneath the Virgin’s feet are possibly no more than the brightly coloured bodies of the angels themselves! Nevertheless it is an excellent work of art  and deserves to be photographed by something better than a phone camera.

Leonard Evetts Master Designer (Privately Printed, 2001)

Embroidered letter T (hand embroidered by Mary Addison)

Home from London on Thursday evening and no time to relax as Friday morning had scheduled the monthly meeting of the U3A Art appreciation group at the Wilson. One of the main galleries has been rehung with paintings from the store so for part of the meeting we went to see what was having an airing and to practise ways we might look at these paintings. Almost all of us would have given immediate house room to a colourful Vanessa Bell painting of objects on table and the view from the window behind, even though we found much about the painting confusing and unfathomable (in particular the strange lumpish buildings seen through the window). Others, like the pair of Jan Steen paintings (The Fat Kitchen and The Lean Kitchen), we were happy to see in the gallery but would have found their witty moralising a bit uncomfortable as household companions in our own homes. The wonder is that the newly wealthy burger class of C17 Holland loved this sort of thing and would commission double pictures like these to hang one either side of the fireplace in their new splendid town houses.

Embroidered letter T (hand embroidered by Mary Addison)

And yet, those two paintings nudged something in the depths of my memory and suddenly I was in a little loo in a tiny ancient college house opposite the back gate of Magdalen College in Oxford  almost half a century ago. The house was occupied by choral scholars and both house and boys were in the care of a tiny, seemingly ancient woman who was known for producing excellent Sunday lunches (and for daily visits to the nearby Eastgate Arms where she was said to enjoy a daily pint of Guinness and a glass of port).  Somehow I managed to get invited to one such lunch and it was a never to be forgotten and never to be repeated experience. The white damask covered dining table, filling most of the tiny first floor room, lurched at an angle on the uneven ancient floor and provided a real challenge to the security of anything placed on it. The old lady then appeared up the cruelly uneven stairs precariously carrying a tray of soup  in those wonderful mini tureens – all blue and white pottery and mostly very chipped. Apart from the roast beef and roast potatoes  that followed I can remember little more about the day. Oh, except for that trip to the loo and its edifying pictures – on one wall was a framed print of ‘A Good Dog’ while on the opposite wall was its companion piece ‘A Naughty Dog’. C17th Holland may like their lessons learned in the drawing room, while eccentric corners of Oxford set aside the loo for moralising sentiment! Sadly, I was never invited again. The house, though still there has been much renovated. The memory remains, though tucked back in my mind as if it occurred to someone else a hundred and fifty years ago.

Sketches of various Ts found online

I toyed with the idea of not blogging this week as none of the 3 Christmas jumpers I’m making for presents have been finished but then, returning from Friday’s session at the Wilson, I felt vivified sufficiently to produce a very simple satin stitched T (plum coloured DMC 3041), finished off with a tiny faceted red glass bead.

Cushion with flowers and letter T (hand embroidered by Mary Addison)