Addison Embroidery
at the
Vicarage

Navy T shirt with turquoise embroidery (hand embroidered by Mary Addison)

Last summer I embroidered a T shirt for my husband’s granddaughter with turquoise flowers motifs borrowed from Chinese hair ornaments made from kingfisher feathers. I love the effect of turquoise on navy and as I wear a lot of navy, it was only a matter of time before the colour made an appearance on the sleeves of my own T shirts. This time I took elements from different hair ornaments to make a continuous band around the sleeve and added a base of hatched lines of sewing picking up the slanting bands often seen on ceremonial Chinese robes.

Navy T shirt with turquoise embroidery (m hand embroidered by Mary Addison)

I set out using the embroidery thread that worked best on navy. I had two skeins of the right colour and thought that would be enough but soon discovered that the end of a sleeve is a bigger area to cover than I’d anticipated. Several online sites selling the thread (Duchess colour 858) were out of stock and when I finally found somewhere with it in stock, wouldn’t you know it, the colour was sufficiently different from what I had to be clearly noticeable. So, I managed to finish one sleeve in the same thread, but for the second sleeve mixed it up with a DMC thread (3808) to lift the colour of  the new thread (using one strand from each skein). You can see the difference because I’ve photographed both sleeves side by side but I’m reckoning on both arms rarely being as close together as that, so comparisons won’t be made! Of course I shall undoubtedly find myself telling people, just as my father would wallpaper a room beautifully and then couldn’t resist pointing out the join down by the skirting board behind the chimney breast where he hadn’t matched the pattern very well!

Navy T shirt with turquoise embroidery (m hand embroidered by Mary Addison)

Like most of the world nowadays we are trying not to put the heating on if we can help it but it has been very cold even when the sun has been shining. Going for a walk helps as the house invariably feels really warm once you come back in but whereas I used to walk quickly and pull my husband with me, he’s now my support and I have to tell him he’s going too fast. I complained to my doctor that my arms and legs had been very painful since I’d had my tooth out and she said my symptoms sounded like long covid which got me wondering whether the bout of  what I thought had been flu in January really had been covid, though I don’t recall testing positive at any time. Who knows! Anyway, we’ve been out and bought one of these Revitive circulation boosters which the doctor thought might help the leg pain and arthritic knees and now our evenings are interrupted by the odd strangled shriek from me which sends my husband delving into the handbook to check whether the device is on too high a setting. I quite like it but make no judgement about its efficacy yet.

Sketches for designs for t shirt sleeve embroidery

Black T shirt with sleeve embroidered with ferns (hand embroidered by Mary Addison)

This time mustard green leaves on a black T shirt – and once again probably the embroidery probably goes a bit too far up the sleeve. But ferns are wonderful plants and the variety of leaf shapes lend themselves to embroidery. Do I feel they work as well on a sleeve as on a painted chest of drawers (see below)? Probably not, but what is life without having a go at translating ideas into reality?

Black T shirt with sleeve embroidered with ferns (hand embroidered by Mary Addison)

We often listen to art talks on YouTube and have found brilliant stuff out there. As I’ve said before, The Frick’s Cocktails with a Curator and its companion Travels with a Curator (each offering about 20 minutes long) are some of my favourites and London’s National Gallery has some good talks too about single paintings (the most interesting last for about an hour). The Waldy and Bendy podcasts  Adventures in Art are excellent but the format is a bit more chopped up into magazine like pieces, though rarely can you last a half an hour in their company without preconceptions being challenged or horizons widened (or both).  Recently, we came upon Philip Mould’s Art in Isolation in which he talks for about 10 minutes on individual works on art he has in his own house (and for those of us of a nosy disposition, the house is quite a star too). We enjoy him because he’s an art historian of  my husband’s ilk and goes to as much pain to discuss the methods and materials of painting as he does subject matter.

Design for T shirt sleeve embroidered with ferns

In contrast, the other day we settled down to listening to a new to us series of art history talks and found ourselves getting quite cross and irritated with the speaker for whom the theory of art seemed to be paramount, while the practical application of paint or even the joy of making a mark were scarcely granted the time of day.

Fern chest of drawers: showing the little drawers that sit on top of the main chest

Fern chest of drawers stencilled with pressed leaves

With joy in my heart I opened today’s Sunday Times Culture section and fell upon wonderful Waldemar Januszczak saying the following.

Art history is an indisciplined discipline. Invented by German scholars of the 18th century, it was an attempt to force the rules of science on to the wild and unrulable territory of art. This belongs here, that belongs there, the Germanic mind insisted as it sought to turn a blancmange into cubes. But in its hunger to describe, date and classify it got so much wrong.

Then, from a real and grossly underrated painter, Vanessa Bell, we came upon this comment in a letter written to thank a friend who had given her some small branches bearing oranges and lemons.

They are so lovely that against all modern theories I stuck them into my yellow Italian pot and at once began to paint them. I mean one isn’t supposed nowadays to paint what one thinks is beautiful.

Vanessa Bell: Oranges and Lemons 1914

Theorising on its own goes just so far and no more. As my husband always says of Analytical Cubism – it was a theory taken in practice so far that it quite lost the spectator. Canny people like Picasso realised this and took another track.